Earth Quaker Devices Data Corrupter Modulated Harmonizer FX Pedal [Used]

• USED Pedal
• Grade 5 - Mint
• Effect: Octave/Pitch
• Original box & manual
• Added modulation
• Harmonic guitar synth
• Wild Three-Voice Guitar Synthesizer w. Crushing Square Wave Fuzz
• Frequency Modulator produces smooth portamento pitch-bends (Glide mode) or retro sci-fi laser effects (Vibrato mode)
• Master Oscillator and Subharmonic dials allow for harmonies up to three octaves above and below your original signal
• True Bypass
• Silent relay-based switching
• All-analog signal path
• Top-mounted jacks
• Current draw: 26ma
• 9v DC

All used items have been fully checked here at Pedal Jungle and are in a fully working order. The grading represents the cosmetic condition of the item, not the usability.

5– The item is in “like new” mint condition with no discernible cosmetic wear, and no signs of velcro. The original box and any accessories will also be present.

4– The item is in excellent condition but may show some very small signs of use. This could include small scuff, scratch or dent, or a light tarnishing to the enclosure, or small signs of velcro. This may or may not include the original box and accessories.

3– The item is in good condition but will show clear signs of use. This can include multiple scratches, scuffs, dents or velcro marks. This may or may not include the original box and accessories.

2– The item has lots of wear and tear including scratches, dents, chips, tarnishing, or velcro marks etc. This may or may not include the original box and accessories.

1– The item has been heavily used with lots of wear and tear. This can include deep scratches, large chips, heavy tarnishing, strong discolouration or velcro marks. This may or may not include the original box and accessories.

The Data Corrupter is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.

The Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator! From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption.

The Master Oscillator (1) is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. The three-position switch on the Master Oscillator control panel labeled Root feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2). Use the Master Oscillator’s Root Switch to fine tune the Data Corrupter’s tracking response for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, the Data Corrupter will perform its calculations and spit out a synthesized frequency, the octave and/or interval of which may be selected via the Master Oscillator’s eight-position rotary switch.

The Voice Mixer’s Oscillator Control (2) adjusts the Master Oscillator blend.

The Frequency Modulator (3) applies pitch-bend modulation to the Master Oscillator. In Glide mode, you’ll hear a smooth portamento as each note slides into the next. In Vibrato mode the pitch modulates up and down for a retro sci-fi laser effect.

The Subharmonic (4) assimilates the input signal into one of eight lower octave programs between one and three octaves below the original. For a more stable lower octave, set the Subharmonic’s Root Switch to the Unison position, which divides the Square Wave input signal, and removes the Frequency Modulator from the Subharmonic signal path.

To unleash the cracked machine lurking within the mainframe, set the Subharmonic Root Switch to Oscillator and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the Master Oscillator and Subharmonic with the Frequency Modulator applied to the upper and lower octaves.

If you think you’re brave enough, set the Subharmonic Root Switch to Oscillator and try experimenting with different Master Oscillator and Subharmonic programs to wind up the doomsday clock and inch ever closer to the Singularity. Adjust the Voice Mixer’s Subharmonic Control to set the lower octave volume.

Finally, (or is it?) the Square (5) control located top-left on the Voice Mixer blends in a fuzzed-out square-wave take of your input in its original octave. That’s it. These aren’t the droids we’re looking for. Move along.

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Returns

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