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Alexander Pedals Dynaflanger Model 213 FX Pedal

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*This is a Special Order item that we order quickly and directly from our suppliers after your purchase and ship to you within 4-10 days.*This latest...

*This is a Special Order item that we order quickly and directly from our suppliers after your purchase and ship to you within 4-10 days.*

This latest in the leap series from Alexander Pedals is the Dynaflanger Model 213. This is the ultimate in stereo flanger pedals. With 10; yes 10 flanger modes, the Dynaflanger 213 has all the best tones from the original and much loved F.13 and F.13N stompboxes, plus much more, and is a benchmark for flanging excellence and exploration.

The Details

Special Order Item
Expected to ship within 4-10 days
Effect: Flanger
Made In The USA
Part of the Leap Series
10 flanger modes
Best tones and more from the original F.13 flanger
Stereo audio input and output with phase correction
Low-noise direct-coupled audio path
Improved audio headroom and frequency response
FXCore DSP with more than 8 times the processing power than the previous Neo Series pedals
32 onboard presets (4 banks of 8 presets each,) all accessible on the pedal without the need for external controls
Expression and ramping
Input Impedance: 1M ohms
Output Impedance: 560 ohms
DC 9V only, 250mA or greater
Requires isolated DC power supply

What Do Alexander Say?

Ever since intrepid 60s-era studio pioneers began manually applying pressure to their tape reels, the jet plane sound of the flanger has been an iconic part of our tonal toolkit. This is uniquely true for us here at Alexander Pedals, as our roots are firmly planted in flanging concepts. Our F.13 and F.13N pedal are benchmarks for flanging excellence.

So when it came time to design our ultimate flanger pedal, we pulled out all the stops to combine all the best tones we love from our original F.13 into the Dynaflanger 213 — weirdness and all. Explore at your own risk (or delight!)

Controls

Dynaflanger has ten selectable sound modes, each based on a different phaser effect type. You can tweak these modes to your taste, and you can save any sound to any preset.

AUTO
Deluxe automatic flanger with all of the bells and whistles. Features a wide- ranging sweep, manual control of delay time for chorus and doubling effects, and a second delay line for through-zero flanging (TZF.)

DYNA
Volume envelope controlled flanger reacts to your playing dynamics. Envelope detector features a selectable filter to accentuate highs, lows, or full-range input. Independent soft and loud sweep controls allow for fast tweaking.

DUAL AUTO
What could be better than one flanger? Two flangers, of course! Dual independent units with their own sweep generators may be locked together or set opposite from each other using RAT2. Use MONO into one amp or STER into two.

DUAL DYNA
Inspired by a certain “pillowy sound,” this mode connects twin flangers to the dynamic envelope sensor. One flanger sweeps up while the other sweeps down, with controls for the range of each. Use MONO into one amp or STER into two.

SPIRAL
FOUR synchronized flangers that each spiral up or down forever, creating an auditory illusion like a never-ending staircase. Try a very slow sweep with the RESO turned way up for maximum anxiety.

STEP
Rhythmic step-sequenced flanger with eight selectable patterns. Sounds like of like a transforming robot toy TV show. Use MIDI commands to edit Pattern 8 and save in your presets.

ECHO FLANGER
You might also call this one a poly chorus. Up to 800ms of echo wrapped into a versatile flanger, resulting in a very radio friendly unit shifter. Flange may be placed either before or after the echo for genius tom-tom sounds.

FLERB B
Large hall reverb feeding into our automatic flanger. This one is great for lush dream-pop or shoegaze tones, like you might hear in a four-calendar café.

FILTER SAMPLE HOLD
Flanger feeding a randomized filter for classic 1970s “sample and hold” effects. We put this mode in the pedal for a very specific type of user, and you folks know who you are. Ship ahoy!

TURBO
You may notice that extreme settings of this pedal result in “choppy” audio, which sounded so cool we built a whole mode around it! This one runs a flanger through a variable-wave amplifier, for fade, chop, and tremolo effects. And if you don’t like the choppy audio in the other modes, turn the RESO knob down a little.