"Pedal Jungle are the best, very friendly and helpful. Also quick to respond to messages, 10/10" - David Q.

FTelettronica Envelope Follower/ Triggered Filter FX Pedal

Only 1 in stock

Worldwide Shipping
No-Fuss Returns
Earn Rewards
Free Shipping Over £100
100% Vegan

U.K FirstThe Envelope Follower/ Triggered Filter from Italian outfit FTelettronica pays homage to The Lovetone Meatball, which is a rare envelope filter pedal produced in the...

U.K First

The Envelope Follower/ Triggered Filter from Italian outfit FTelettronica pays homage to The Lovetone Meatball, which is a rare envelope filter pedal produced in the 90s and used by many influential guitarists, such as Kirk Hammett and The Edge.

It offers a wide range of static filter options, but with considerably more options, and with the addition of the correct expression pedal, it is enabled to be used as a normal wah.

The Details

Effect: Envelope Filter
Made In Italy
FTelettronica produce classic designs reimagined
Inspired by the Lovetone Meatball
Wide range of static filter options
Can be used as a wah with an expression pedal
True Bypass
Power: 9v DC negative center

What Do FTelettronica Say?

Lovetone's Meatball

As well as its most obvious enveloping applications, FTelettronica's "Envelope Follower/Triggered Filter" offers a wide range of static filter options. With the addition of the correct expression pedal this enables it to be used as a normal wah, but with considerably more options (all five panel controls on the right "Filter" half of the pedal still remain active).

The external trigger facility enables the filter to be triggered by a completely separate audio source which can be another instrument, pulse or click or even touching a lead connected to the input! A great way to exploit this is to use one aux send on your mixer for the sound source and another one for the trigger so you can literally trigger anything with anything which as you can imagine can give rise to some pretty freaky effects.

Controls

Sensitivity determines the level at which triggering operates.

Attack Filter attack response

DecayFilter decay time

Up/Down A two-position switch that determines whether the filter sweeps up or down.

Full/half/off A three-position switch that determines the level of the bandwidth. Half the bandwidth affects only higher frequencies, while the off position turns off the trigger section, allowing the Meatball to be used as a static-tone filter.

The effects loop allows external effects to be placed after the trigger section but before the filter section.

Colour Filter resonance

Intensity Filter depth

Blend Ratio of dry to wet signal

Frequency range A four-position switch that determines the range of the frequency, from low to high.

Filter selection

A three-position switch that determines the level of the bandwidth, between low-pass, band-pass, and high-pass filter.

"I disappear" starts with the sounds of Envelope Follower/Triggered Filter

Shipping & Returns

Shipping