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Walrus Audio Canvas Passive Re-Amp Box

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The Walrus Audio Canvas Passive Re-Amp is a musicians friend in your studio arsenal tool kit, to enable to re-routing of already recorded clean instrument tracks,...

The Walrus Audio Canvas Passive Re-Amp is a musicians friend in your studio arsenal tool kit, to enable to re-routing of already recorded clean instrument tracks, back through new effects for redesigning your tone on the recording.

Send recorded guitar, bass, drums and other instrument tracks from your recording session, back through different pedals and effects, or mic/amp combinations.

Get lost in tone, and get this in your studio locker!

The Details

Re-amp box
Hand built in Oklahoma, USA
For studio use
Send recorded guitar, bass, drums & other instrument tracks
Frequency Response: 20Hz To 20kHz
THD+N: 0.07% @ 20Hz / +4dBu Input 0.001% @ 1kHz / +4dBu Input
Maximum Input Level: +21dBu @ 20Hz
Noise Floor: -116dBu
Signal To Noise Ratio: 114dB @ 1kHz
Input: Balanced Line-Level
Input Impedance: 3k Ohms
Output: Unbalanced Instrumental-Level
Output Impedance: 2.5k Ohms
Common Mode Rejection Ratio:79dB @ 20Hz / +4dBu Input
Lifetime manufacturer warranty to original buyer
Power supply not included

What Do Walrus Audio Say?

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it’s appearance to facilitate all-new ways to experiment with your songs.

Artists and producers can save time on tracking sessions by recording dry tracks first, then using Canvas Re-Amp’s custom transformer to convert line-level signals, optimising them to work with amps and guitar pedals of any kind to explore limitless tones and sounds.

Controls

Using a Re-Amp

1. From your DAW, audio track goes into the Canvas Re-Amp.

2. Out from Re-Amp into pedals or mic'd amp.

3. Out from pedals / amp back into DAW.

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